Painter • Researcher
Mixed-methods • Science
Jane Kritchko is a contemporary artist based in Lisbon, recognized for her research-driven approach to mixed media art that bridges empirical methodology with visual expression. Utilizing her decade-long background in user research and computer science from her years in IT, Jane deconstructs complex psychological phenomena through painting, interviewing sessions, object deconstruction and installation work while channeling scientific rigor into gestural marks and data-informed compositions.
As digital experiences increasingly replace human connection, she aims to create tangible artworks that inspire others to invoke deep feelings and find inner power. Her approach weaves together solid research methods with artistic practice, turning real human stories and insights into paintings that hit you where it matters. By combining fieldwork, interviews, and data with creative expression, she's building bridges between what we know and what we feel, making art that doesn't just hang on walls but actually moves people to see their own power in shaping what comes next.
A collection of works exploring human consciousness, decision-making, leadership dynamics, and visual perception through mixed methods research and artistic expression.
Each project combines rigorous research methodologies—from ethnographic observation to eye-tracking studies—with visual art to uncover deeper truths about human behavior and experience.
Through combined research methodologies and artistic practice, Jane explores human beings and nature, with the goal of catalyzing human dreams and aspirations while driving social change.
Paintings reflecting city vibrancy and the effects of war have been acquired by a private collection in Portugal's diplomatic sector.
The Russia-Ukraine war, as well as the Belarusian election in 2020, left a mark on Jane's life. Jane conducted a series of interviews with Ukrainian refugees (mostly women) and incorporated these experiences into her paintings while also supporting some refugees who shared their initial shock with her.
Continuing work in the field of user research, Jane developed her unique approach combining paintings with human insights, utilizing her knowledge and skills in qualitative research.
The first exhibition combined ethnographic research, installations, and Jane's research work with art objects, incorporating visual art and establishing the foundation for future mixed-methods artistic practice.
She has been conducting research using qualitative and quantitative methods, as well as eye-tracking and EEG, to study human perceptions, reactions, and motives.
Transformation happens in the secret chambers of things. Patterns return like old lovers, wearing the same gestures, speaking the same half-truths - until something breaks the spell with the sound of breaking glass in an empty room. The tree swells against its prison, patient as revolution, dreaming of electric light. Grass opens the world one crack at a time, whispering secrets the pavement tried to forget.
This portrait - I destroyed it tenderly. There was such tenderness in that canvas, the terrible sweetness of recognizing oneself completely, scars and all, like looking into a mirror that shows you things that haven't happened yet. But recognition can become another cage, lined with velvet and humming with fluorescent frequency. To slip free, I chose the unknown over the possessed.
collaboration, advanced technologies and art, sale works